It begins innocently enough - a name given
to a secretary over the phone, a credit card proffered.
"Roger Moore? Not the Roger Moore"
Um, no.
"Bond. James Bond. You know. I bet you get
that a lot."
No, it never comes up. Let's change the subject
before things turn ugly.
"You know, I always thought Sean Connery
was better."
Yeah? So did his mama.
What's it like wandering through life with
a famous name? Ask my Georgia friend, Jackie Cooper - my
college buddy, Paul McCartney. But don't ask me. When it
comes to Bond, James Bond - to too many people - there's
Sean Connery and nobody else.
Of course, you could ask the real Roger Moore
how he feels about that. He was in Orlando this week, a
speaker to the 30,000 amusement park operators and vendors
attending the convention of the International Association
of Amusement Parks and Attractions. He was here to shake
hands, make a few speeches, sign autographs and plug his
main gig. He is the chief Goodwill Ambassador for the doggedly
successful United Nations children's health organization,
UNICEF.
"Mr. Roger Moore? Meet Roger Moore," says
Sandee Borgman, a UNICEF spokeswoman who escorts Moore on
these trips.
"Roger Moore? Moore, Roger Moore. Delighted,"
the real Moore says. "Do people ever confuse you for me?"
All the time. Same brown hair. Same blue eyes.
Same worldwide fame. Same seven-figure income. In pesos,
maybe.
In fact, I was named for you.
"Now that's a story I'd like to hear to hear."
My parents were big Maverick fans, so they
tell me.
"You weren't conceived during it, I trust?"
Let's leave my mother out of this. Moore
played Beau Maverick, the English cousin to James Garner's
Bret Maverick in the Western comedy series.
"You're a very lucky young man," Moore says,
looking very serious. "You could've been named Beauregard."
Indeed, a risk every Southern boy runs at
birth.
A jokier Bond
Maverick is just one of the TV series Moore
did before 007 came calling. He was in Ivanhoe, The Alaskans
and Maverick in the late 1950s and early '60s. He starred
as The Saint in the mid-to-late '60s. And he co-starred
with Tony Curtis in The Persuaders in the early '70s.
And then he had a second chance to do the
role he'd almost landed before Sean Connery signed on to
be the first big-screen Bond. Moore became the longest-serving
Bond, doing seven films over 14 years. The movies were jokier,
sillier than they'd been under Connery. New Bond fans loved
Live and Let Die, The Spy Who Loved Me and the others. Connery
fans were appalled.
"I'm not that cold-blooded killer type,"
Moore said at the time. "I play it for laughs."
"You're still the best Bond," Doug Baker,
a New Yorker in town for the convention gushes as the actor
signs an autograph. "The only Bond!"
"I'll tell Sean you said so," Moore quips.
Like Connery, the general consensus is that
Moore stayed in the role one or two films too long. "His
boyish insouciance became less spontaneous and eventually
grew tiresome," critic Leonard Maltin once wrote.
Yeah? You're tiresome!
In his time, Moore was licensed to kill.
He was sort of the Hugh Grant of his day, a light comedian
and pretty-boy with a posh accent. The son of a bobby, a
British policeman, Moore grew up "with the same accent as
Michael Caine," Moore tells an audience of amusement park
managers. "But I went to RADA [the Royal Academy of Dramatic
Arts] and they trained (the Cockney) out of me."
Moore changed voices. Caine changed names,
something Moore delights in bringing up. He and Caine -
whose real name is Maurice Micklewhite - are pals.
Caine didn't attend RADA. The former Maurice
Micklewhite kept the Cockney accent and has a knighthood
and a couple of Oscars to show for it. And if Moore had
kept his original accent?
"I'd be still out there, getting the great
parts," Moore tells the managers, with a chuckle. "And he'd
be up here talking to you."
Bond-actors change, but Bond endures. Pierce
Brosnan is starring in his fourth film in the long-running
franchise, Die Another Day, which opened Friday. Why are
these films still popular? Is it the violence, the sex,
the gadgets, the arched eyebrows of the leading men?
"They've always been very good at putting
all the money they invest in them up on the screen," Moore
says. "It's just that simple."
Did he save anything from the Bond years,
a memento, a prop, Miss Moneypenny?
"Only my passion for skiing," he says. And
the home in Switzerland that allows him to indulge that
passion.
His most
serious role
At 75, he's not really retired. Moore does
the odd acting job here, a documentary narration there.
But the world still takes his phone calls, which is why
he remains a UNICEF Goodwill Ambassador.
"I just got back from Zambia, and after seeing
conditions in a hospital there, I called a medical equipment
supplier in Copenhagen," he says. They worked out a deal.
Moore does a lot of that these days. He starts
his speeches with jokes about his movie career and his age.
"The Bonds keep getting younger, and the
Bond girls keep getting bigger . . . parts."
But you can hear a pin drop when he points
out that "40,000 children die needlessly, every day on this
planet." He speaks movingly and informedly on the AIDS epidemic
in Africa, the looming threat of a terrible drought there,
of "waking up at 2 in the morning and seeing the eyes of
these children, many of whom have already lost their parents
to AIDS -- children responsible for whole families of younger
children."
He took over for Audrey Hepburn, who personally
recruited Moore to the cause in the early 1990s.
"A very persuasive woman," Moore says with
a grin.
When Hepburn died, her son was among those
who pressed Moore to take over for her, full-time.
"You press the flesh, do favors and speeches
for corporate sponsors and inform people about what UNICEF
is and what it does," he says. That means talking to the
press, a lot.
"They always want to talk about Bond," he
says, arching the famous eyebrow. "But we always talk about
UNICEF." In America, that can be an uphill struggle. A Fox
News reporter the night before had mixed up UNICEF with
U.N. weapons inspectors in Iraq.
"And they're always confusing us with 'some
damned commie organization,' " Moore says, laughing and
impersonating an American hick.
He straightens out the confused, points out
how "91 cents of every dollar given to UNICEF goes to programs
in the field," and plugs the new arrangement with the amusement
parks represented at the convention called "Your Change
for Real Change," similar to the old "Trick or Treat for
UNICEF" Halloween campaigns.
Moore was named a Commander of the British
Empire for his charitable efforts and given the Maurice
Garvey Lifetime Achievement Award, a Jamaican honor for
those "who have used their celebrity status to help improve
the lives of many."
Which makes Moore sort of the Jimmy Carter
of the ex-Bonds. Connery still earns the whopping paychecks,
making indifferent movies in between tee times. Patrick
Dalton reverted to being a character actor. And George Lazenby
dropped off the face of the Earth. Moore, who didn't do
too badly in the earnings department, (he and fourth wife
Kristina have homes in Switzerland and Monaco), spends much
of his time trying to make the world's children healthy.
Take that, Connery, you Scottish skinflint!
Maybe it isn't so bad sharing the same name with everyone's
second-favorite Bond.
"Yes, too bad it's not my real name," Moore
says, putting a consoling hand on my shoulder.
What? Wait a minute . . . but . . . I didn't
. . . So what IS your real name, then?
"Micklewhite," he says, waiting a perfect
beat to deliver his punch line. "Maurice Micklewhite."